CANNES — The 72nd edition of the Cannes Film Festival wrapped with jury president Alejandro González Iñárritu announcing the group’s unanimous decision to award the Palme d’Or to South Korean director Bong Joon-ho for his sly, politically charged “Parasite.” Following last year’s win for humanistic Japanese drama “Shoplifters,” the well-reviewed Asian thriller represents the yin to that film’s yang: the story of a lower-class family who try to improve their social situation by infiltrating a rich household.
Mati Diop earned the Grand Prix for her debut feature, “Atlantics.” Diop, who made history as the first black female filmmaker in competition, dramatizes a seldom-seen side of Europe’s refugee crisis through the eyes of woman abandoned by the man she loves, when he decides to attempt an illegal crossing.
Best actress went to “Little Joe” leading lady Emily Beecham, who plays a scientist who begins to suspect that the plant she has genetically modified may have adverse side effects.
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Accepting the trophy for best actor, Antonio Banderas reflected on the 40-year path to such recognition, awarded for his leading turn in Pedro Almodóvar’s semi-autobiographical “Pain and Glory.” Dedicating the award to Almodóvar, Banderas said, “People think we live in a red carpet, but it’s not true. We suffer a lot, we sacrifice, and there is a lot of pain behind an actor of any kind. But there is also glory, and this is my night of glory,” before promising, “The best is still to come.”
Presenting a tie for the jury prize — awarded to a pair of politically charged features, Ladj Ly’s “Les Misérables” and Kleber Mendonça Filho’s “Bacurau” — outspoken liberal filmmaker Michael Moore told the crowd, “Trump is the lie that enables more lying.”
Cannes favorites Jean-Pierre and Luc Dardenne — who have won the Palme d’Or twice before, as well as two other awards — took the best director prize for “Young Ahmed,” the portrait of a Muslim teenager living in modern Belgium who attempts to kill his teacher after being brainwashed by a radical imam.
French writer-director Céline Sciamma earned the screenplay award for “Portrait of a Lady on Fire,” a lesbian-themed period film that explores the notion of the female gaze, both now and throughout the tradition of Western art.
Elia Suleiman’s “It Must Be Heaven” earned a special mention from the jury. A droll commentary — from a director whose Jacques Tati-like screen persona hardly ever speaks — on his country’s troubles, as reflected through his travels to Paris and New York, Suleiman’s film was the rare comedy in this year’s competition.
Iñárritu presided over a jury that included French author-artist-director Enki Bilal, French director Robin Campillo, Senegalese actress-director Maimouna N’Diaye, American actress Elle Fanning, Greek director Yorgos Lanthimos, Polish director Paweł Pawlikowski, American director Kelly Reichardt, and Italian director Alice Rohrwacher.
The Camera d’Or, awarded by a special jury headed by Rithy Panh to the best first film from among 26 debut features across all section of the festival, went to Guatemalan director Cesar Diaz. His drama “Our Mothers,” which premiered in Critics’ Week, focuses on an anthropologist looking for his father, after finding a clue amid the investigations into the country’s civil war.
The full list of winners appears below:
COMPETITION
Palme d’Or: “Parasite,” Bong Joon-ho
Grand Prix: “Atlantics,” Mati Diop
Director: Jean-Pierre and Luc Dardenne, “Young Ahmed”
Actor: Antonio Banderas, “Pain and Glory”
Actress: Emily Beecham, “Little Joe”
Jury Prize — TIE: “Les Misérables,” Ladj Ly; “Bacurau,” Kleber Mendonça Filho
Screenplay: Céline Sciamma, “Portrait of a Lady on Fire”
Special Mention: Elia Suleiman, “It Must Be Heaven”
OTHER PRIZES
Camera d’Or: “Our Mothers,” Cesar Diaz
Short Films Palme d’Or: “The Distance Between the Sky and Us,” Vasilis Kekatos
Short Films Special Mention: “Monster God,” Agustina San Martin
Golden Eye Documentary Prize: “For Sama”
Ecumenical Jury Prize: “Hidden Life,” Terrence Malick
Queer Palm: “Portrait of a Lady on Fire,” Céline Sciamma
UN CERTAIN REGARD
Un Certain Regard Award: “The Invisible Life of Eurídice Gusmão,” Karim Aïnouz
Jury Prize: “Fire Will Come,” Oliver Laxe
Best Director: Kantemir Balagov, “Beanpole”
Best Performance: Chiara Mastroianni, “On a Magical Night”
Best Screenplay: Meryem Benm’Barek, “Sofia”
Special Jury Prize: Albert Serra, “Liberté”
Special Jury Mention “Joan of Arc,” Bruno Dumont
Coup de Coeur Award: “A Brother’s Love,” Monia Chokri; “The Climb,” Michael Angelo Covino
DIRECTORS’ FORTNIGHT
Society of Dramatic Authors and Composers Prize: “An Easy Girl,” Rebecca Zlotowski
Europa Cinemas Label: “Alice and the Mayor,” Nicolas Parisier
Illy Short Film Award: “Skip Day” (Patrick Bresnan, Ivete Lucas)
CRITICS’ WEEK
Nespresso Grand Prize: “I Lost My Body,” Jérémy Clapin
Society of Dramatic Authors and Composers Prize: César Díaz, “Our Mothers”
GAN Foundation Award for Distribution: The Jokers Films, French distributor for “Vivarium” by Lorcan Finnegan
Louis Roederer Foundation Rising Star Award: Ingvar E. Sigurðsson, “A White, White Day”
Leitz Cine Discovery Prize for Short Film: “She Runs,” Qiu Yang
Canal Plus Award for Short Film: “Ikki Illa Meint,” Andrias Høgenni
FIPRESCI
Competition: “It Must Be Heaven” (Elia Suleiman)
Un Certain Regard: “Beanpole” (Kantemir Balagov)
Directors’ Fortnight/Critics’ Week: “The Lighthouse” (Robert Eggers)
CINÉFONDATION
First Prize: “Mano a Mano,” Louise Courvoisier
Second Prize: “Hiéu,” Richard Van
Third Prize — TIE: “Ambience,” Wisam Al Jafari; “Duszyczka” (The Little Soul), Barbara Rupik
https://variety.com/2019/film/news/cannes-film-festival-2019-winners-1203225973/
2019-05-25 17:28:00Z
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